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Additional Information
Velvet painting must be witnessed in person as art to be truly experienced. Digital images are a part of today’s pop art and their graphics have cultural relevance however, this is expanded exponentially by the textural quality and intimacy of the first hand velvet art experience. The interaction of light on velvet paintings is unique to an amazing sensory delight that is unequaled. This deeper experience with velvet art can be preserved in our throw-away digital times by you the individual.
About Me
My Background
My Inspiration
My Background
When I started studying black velvet painting, I came across paintings by Edgar Leeteg. He mostly painted portraits of Tahitian people using chiaroscuro with stunning effect. In my work, I am trying to change people's perception of black velvet art just as Leeteg's work affected mine.
I began teaching myself velvet painting in 2007 and
When I started studying black velvet painting, I came across paintings by Edgar Leeteg. He mostly painted portraits of Tahitian people using chiaroscuro with stunning effect. In my work, I am trying to change people's perception of black velvet art just as Leeteg's work affected mine.
I began teaching myself velvet painting in 2007 and I made a pilgrimage to The Velveteria Museum of Velvet Paintings in 2008 which was a life-changing experience. Hundreds of velvet paintings covered their walls in all different styles. I discovered other masters such as Cece Rodriguez, Daniel Guerrero, Burke Tyree and Louis Behan. 15 years later, several of my pieces are part of The Velveteria's collection.
My work has been shown in Tucson, Bisbee, Phoenix, Mexico, Colorado, Los Angeles, Oakland, Miami, San Diego and Joshua Tree.
My Medium
My Inspiration
My Background
As a painter, I am attracted to the Renaissance technique of chiaroscuro, strong contrasts in illumination between light and dark areas. Black velvet enhances this effect and also provides textural features you can not get on canvas.
My Inspiration
My Inspiration
My Inspiration
I'm inspired mostly by contrasts in light and dark and texture, or just about anything that makes me think, "that will look great on velvet!"
My current series is inspired by Jazz-Age nudes and the Art Deco style of the artist, Erte.